Portrait on Marianne Rosenberg, underground icon Tabea Blumenschein dancing in the background.

Marianne, MARIANNE's one character - Simply talks to the camera.

Joseph has an intensely close and ambiguous relationship with his sister Marianne. At her going-away party the day before she leaves to go abroad, Joseph is caught between his feelings for his sister and the advances by other suitors.

Marianne, a heroine for a day, is interviewed by a young journalist. Despite of all the misunderstandings, a meeting takes place, brief, tenuous, human.

On the verge of professional breakthrough, a young Bertolt Brecht reflects on relationships.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

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In the aristocratic society of the seventeenth century, the fate of Marianne child who survived the deadly attack on a convoy.

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